Secret History

cross-posted from: https://community.hackliberty.org/post/3167

The Oera Linda Book is a manuscript written in a form of Old Frisian, purporting to cover historical, mythological, and religious themes of remote antiquity, from 2194 BCE to 803 CE.

Detailed Research Here:

• https://www.unexplained-mysteries.com/forum/topic/184645-archivedoera-linda-book-and-the-great-flood/
• https://www.unexplained-mysteries.com/forum/topic/227240-oera-linda-book-and-the-great-flood-part-2/
• https://www.unexplained-mysteries.com/forum/topic/283001-oera-linda-book-and-the-great-flood-part-3/

cross-posted from: https://community.hackliberty.org/post/3166

Bas-relief artwork at Cambodia’s Angkor Wat temple, Ta Prohm, appears to depict a dinosaur. Though the engraving is readily recognizable as “stegosaur-like,” this dinosaurian interpretation of the engraving has been criticized because of the unrealistically large head and the absence of tail spikes. Moreover, it has been suggested that the “plates” are merely decorative flourishes or background foliage.

I personally examined the Ta Prohm artwork, took depth measurements and compared the dinosaurian depiction to the many other temple engravings. I came away satisfied that the objections can be adequately answered. Moreover, I believe there is a second stegosaurus carving in the portico of the temple. My hypothesis is that the ancient artists were seeking to model domesticated stegosaurids, dinosaurs that were still living and known at the time of the temple construction.

cross-posted from: https://community.hackliberty.org/post/3165

In different locations within the Late Ptolemaic Temple of Hathor at Dendera in Egypt are curious wall engravings which Egyptologists cannot explain in traditional religio-mythic terms, but about which electrical engineers are finding very modern interpretations.

In one chamber, No. 17, the topmost panel, depicts Egyptian priests operating what look like oblong tubes, performing various specific tasks. Each tube has a serpent extending its full length inside. Swedish engineer Henry Kjellson, in his book Forvunen Teknik (Disappeared Technology), noted that in the hieroglyphs these serpents are translated as seref, which means to glow, and believes it refers to some form of electrical current.

cross-posted from: https://community.hackliberty.org/post/3164

"Whenever, in the pride of some new discovery, we throw a look into the past, we find, to our dismay, certain vestiges which indicate the possibility, if not the certainty, that the alleged discovery was not totally unknown to the ancients," wrote Madame H. P. Blavatsky, in Isis Unveiled.

"It is generally asserted that neither the early inhabitants of the Mosaic times, nor even the more civilized nations of the Ptolemaic period were acquainted with electricity. If we remain undisturbed in this opinion, it is not for the lack of proofs to the contrary."

cross-posted from: https://community.hackliberty.org/post/3163

A 31,000-year-old skeleton missing its lower left leg and found in a remote Indonesian cave is believed to be the earliest known evidence of surgery, according to a peer-reviewed study that experts say rewrites understanding of human history.

An expedition team led by Australian and Indonesian archaeologists stumbled upon the skeletal remains while excavating a limestone cave in East Kalimantan, Borneo looking for ancient rock art in 2020.

The finding turned out to be evidence of the earliest known surgical amputation, pre-dating other discoveries of complex medical procedures across Eurasia by tens of thousands of years.

cross-posted from: https://community.hackliberty.org/post/3162

The Lycurgus Cup is the only intact example we have of what is now called “dichroic glass.” “Di-chroic” means “two-colors” in Greek. The Romans had mastered the art of making one color appear on a goblet when in a certain light and another color appear on the same goblet in another light. The glass goblet known as the Lycurgus Cup appears jade green when lit from the front and appears red when lit from behind the cup.

Until the Lycurgus Cup was acquired by the British Museum in the 1950’s (from the Rothschilds, meaning “red shield”), scientists had not examined it. When they did, they were puzzled by its changing colors. It was not until the 1990’s when broken pieces of the same variegated glass from ancient Rome were examined that they discovered Roman glass-makers were experts in our relatively new field of nanotechnology, technology specializing in very teeny, nano particles.

The Romans had permeated the Lycurgus glass chalice with silver and gold particles that had been ground up so finely they were only 50 nanometers in diameter, less than one thousandth the size of a grain of salt. Roman glassmakers knew that when light hit their glass, something, now called electrons, in the nano fragments of metal would alter the color of the glass. It is sure ancient glassmakers had words for what they did, but those words are lost and we must speak in modern nomenclature.

The glass chalice, known as the Lycurgus Cup, is so-called because it images a myth involving King Lycurgus of Thrace (Balkan Peninsula). A man of violent temper, Lycurgus attacked the god of wine Dionysius and one of his female followers, Ambrosia. Ambrosia called out to Mother Earth who transformed her into a vine. She then coiled herself about the king and held him captive, the scene captured on the Lycurgus Cup. The change from green to red on the vase could symbolize the red blood of Ambrosia or the red wine of the wine god Dionysius. The green could symbolize the ultimate triumph of Ambrosia by being turned into a green vine by Nature that imprisoned the red-wrathful Lycurgus. The vase below shows the moment when Mother Earth has arrived and will save Ambrosia from Lycurgus and his evil behavior.