Punk Rock

cross-posted from: https://lemmy.world/post/12151476

Following up on their much rougher, hardcore-leaning International Heartthrob EP of last year, Indiana's Spewed Brain take their sound into a catchier, slightly egg-ish direction on their new LP while staying delightfully fucked-up and unpredictable, at different times reminding me of groups as diverse as, say, Trauma Harness, Print Head, Exwhite, The Gobs, Snooper, Rolex, Witch Piss or Slimex.

Oh look, it's that mysterious dude again who also goes by such names as Zhoop, Djinn, Nightman, Feed, Brundle and even more disguises i can't recall right now. As usual he does exactly one thing on here and he gets it right every single time - five excellent no-frills minimalist detonations on the intersection of garage-, hardcore- and fuzz punk.

cross-posted from: https://lemmy.world/post/12151362

I Hate You Don't Leave Me releases February 28th via Toxic State Records.

cross-posted from: https://lemmy.world/post/12150837

Yobs releases May 3rd via Fuzz Club Records.

Serpette releases March 1st.

https://katabombrecords.com/index.php?id_category=81&controller=category&id_lang=1

ZSK from berlin/Germany. They have been on tour with Rise Against, Bad Religion, Die Toten Hosen, Anti-Flag... Most lyrics are in german but they tour worldwide. We need them more than ever!

Still one of my favorites!!

In a retrospective review for PunkNews Dubar awards the album with 4.5 out of 5 stars. He points out the band's drastic "reinvention" compared to their previous style, which was more in line with skate punk outfits like Satanic Surfers. On the contrary, Dubar points out that You Can't Keep a Good Band Down is "noticeably less aggressive, much more catchy, and that's not a bad thing at all."

cross-posted from: https://lemmy.world/post/11822446

The second LP by this Melbourne garage punk supergroup brings further gradual refinement to their distinct formula carrying all the right baggage from many decades of particularly australian punk history both ancient and recent, presented with heartfelt urgency and a persistent sense of melancholy that's quite unique to them, a knack for catchy hooks, elegant, simple and effective songwriting which has had the group running circles around the bulk of the genre pretty much from day one, all the while leaving impact craters with the unrelenting fury of their performance. Nothing short of spectacular, this record!

cross-posted from: https://lemmy.world/post/11822225

Dirty Mean Fast releases February 26th.

Split Image releases March 8th.

Songs about motor vehicles aren't quite as ubiquitous as they once were and i'm just gonna say say deservedly so because honestly, that ancient, most wasteful mode of personal transportation can't be phased out soon enough and the future clearly belongs to all varieties of bikes and trains. But here we go, it's an unlikely new EP made up of nothing but carpunk tunes. Musically the thing slaps though, their weird and whimsical mix of art- and garage punk being of similar character to household names such as Vexx, Cel Ray, Warm Bodies, Warp or Fugitive Bubble.

Redd Karpet releases March 22nd via Total Punk Records.

cross-posted from: https://lemmy.world/post/11821168

Or Not releases March 22nd via Neon Taste Records.

Realities releases February 16th via Forever Never Ends Records.

Osbo releases April 1st via Blow Blood Records.

Brilliant, thrilling oldschool action on this Philadelphia group's debut EP on which a hybrid garage/hardcore vibe á la Cutters gets fused with a distinct Oi! tendency reminiscent of The Chisel, Chubby And The Gang. Then again, there are some ocurrences of Poison Ruïn-esque riffing to be spotted as well and sometimes the guitar leads operate in classic Radio Birdman territory.

cross-posted from: https://lemmy.world/post/11820009

Hard Copy releases March 22nd via Dais Records.

https://momsbasementrecords.bigcartel.com/product/avem-three-birds-stoned

Source: Ox Fanzine, #172

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