Tragic Kingdom by No Doubt
Blood Sex Sugar Magic by Red Hot Chili Peppers
this post was submitted on 31 Jan 2024
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Tragic Kingdom is one of my favorite albums of all time. It's just so damn good.
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Metallica (Black Album)
~~Is this a joke? This is where they're newfound mediocrity was cemented. They peaked at Ride the Lightning, everything after that was more and more watered down garbage.~~
Sorry, I meant I strongly disagree.
Smashing Pumpkins: Mellon Collie and the Infinite Sadness
R.E.M. - Automatic for the people
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Pink Floyd - The Wall
Not their last album before Roger Waters left the band (that was The Final Cut, the album which followed), but it was far superior, and arguably their best album-- and inarguably their magnum opus.
The David Gilmour-led era of Pink Floyd was ok, but it would never reach the fevered heights and sick intensity of the Roger Waters days.
It's good album. But I view The Wall as a Waters solo album than a Pink Floyd one.
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Nine Inch Nails - Pretty Hate Machine
lmao.
if you don't get it — it's his first album
I find myself listening to year zero a lot, maybe I'm too big a fan of NIN in general. Something I like from every album.
I’ve been a NIN fan since way back and I felt like every album was their best before falling off with pretty much every album when it first releases. After a couple of listens and thinking I’m not gonna ever get into the new stuff, I catch myself having songs off their newest album stuck in my head only to repeat the process with the next one.
This happens to Queens of the Stone Age with me too but less so. I always go into a new Qotsa album with the understanding that it’s going to take a couple listens before it becomes my new favorite album.
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as nin albums became less driven by chunky 80s synthesisers and more driven by guitars, they got worse. however, the quake soundtrack and ghosts I-IV are excellent, in my opinion.
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Girl You Know It’s True- Milli Vanilli
The Suburbs by Arcade Fire
Sadly, Guns n Roses, Appetite for Destruction.
Nothing any of them have done since has matched the quality of creativity that they did on aod.
I'm not saying I didn't like the use your illusion pair, and Slash has done some damn good work on specific songs in his various projects. But the band as a whole fell off hard after their very first. Axl in particular kinda lost his songwriting during use your illusion, which had some great songs, but it wasn't consistently great as albums
Massive Attack - Mezzanine
They still had a few good tracks afterwards but that album really was a masterpiece.
Modest Mouse - The Moon and Antarctica
This is really the only band I have that hipster thought that they were better before they got big. This was the last album they made that I love every song on. Then they dropped Good News for People Who Like Bad News and their style was almost completely different, but also got many more people listening to the band.
Similarly I liked Kings of Leon before they changed the original vocalist. They had a rather unique sound when I discovered Aha Shake Heartbreak, but by Only By The Night, they had completely lost everything about their sound that I liked.
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Breakfast in America - Supertramp
A Rush of Blood to the Head by Cold Play...
Of what came after I like X&Y and Mylo Xyloto too, but this one was their best.
I know bands can change their style over 20 years, and I'm glad the band can be happy touring and making music they like and I don't hate people that like their new stuff, but something about the brilliant, raw feeling their music had (imo anyway) gave way for generic electronic music trend-chasing. When I heard "Higher Power" I was like "wow it's The Weekend just with Chris Martin singing."
Green Day - American Idiot. It's not that I dislike what came after, but 21st Century Breakdown feels disjointed, the Trilogy has really low lows, and they stopped being ambitious after that and just put out two "pretty good" albums and one awful one.
Also even if you don't like their '00s sound, I seriously don't get why Dookie is more well-liked than Nimrod beyond "it had more hits and I heard it first."
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Wait a second, no way you're slandering Plastic Beach like that. PB is equal to DD, some days it hits better even.
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Claude Debussy - Claire de Lune
The Mars Volta - Deloused in the Comatorium
Weather Report - Heavy Weather
Rush - 2112
Mr. Bungle - California
Dr. Dre - The Chronic
Snoop Doggy Dogg - Doggystyle
Wu Tang Clan - Enter the 36 Chambers
Beastie Boys - Paul’s Boutique
Mahavishnu Orchestra - Birds of Fire
Miles Davis - Kind of Blue
Getz/Gilberto/Jobim - The Girl from Ipanema
Mozart’s Requiem (good place to peak!)
Metallica - Master of Puppets
Cynic - Focus
Death - Human
Suffocation - Effigy of the Forgotten
Eric Johnson - Ah Via Musicom
Steve Vai - Passion and Warfare
Yngwie Malmsteen - Rising Force
John Coltrane - A Love Supreme
Radiohead - Kid A
Deftones - White Pony
Secret Chiefs 3 - Book of Horizons
Dream Theater - Scenes from a Memory
The Allman Brothers - Live at the Fillmore East
Michael Jackson - Thriller
Beach Boys - Pet Sounds
The Beatles - Sgt Peppers Lonely Hearts Club Band
Bruhhhhhhhh
White Album? Abbey Road? I mean, even if you aren't a big fan of Yellow Submarine or Magical Mystery Tour, how can you say freaking Abbey Road is a comedown from Sgt Pepper's?
Actually, you might be right. I’ll take the Beatles out. They were good all along.
Disagree a lot about Radiohead. They are probably one of the best bands with the best discographys ever. Almost every album are very, very good
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Sex Pistols - Never Mind the Bollocks, Here's the Sex Pistols.
I’d agree with this, except they only really recorded a single album. The Rock n Roll Swindle was just a bunch of outtakes and session recordings mostly done after Johnny had left
That was the joke.
D’oh…
This seems to happen with progressive rock at alarming levels. They just reach a point where they take their pretentious bullshit a little too far, and the fans grow weary of it. You saw that with Jethro Tull, which pushed its luck with A Passion Play after scoring a critical success with Thick as a Brick. Yes took it too far with Topographic Oceans. I'm sure ELP has an album where they pushed the envelope a little too far and pushed away the audience in the process. Unfortunately, that had a pendulum effect, with ELP releasing the wimpy Love Beach in an attempt to reel back in those lapsed fans.
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Wait you think the Gorillaz fell off after Demon Days???
Not dramatically but it was the best and none topped it.
Plastic Beach was straight fire IMO
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At the drive in - Relationship of Command
Refused - The Shape Of Punk To Come
Tocotronic - Digital ist besser
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The Flaming Lips - Yoshimi Battles The Pink Robots (2002)
They had an incredible decade prior to this releasing 3 other top notch albums, but by far this one sticks out as the most successful and easiest to pickup. They have a lot more after this release as well, but I think Wayne found himself diving into an era of depression and it absolutely showed on those later releases. The last release was good but also nothing special at the same time.
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Funny with Metallica … I think there’s an argument that Death Magnetic (2008) is, for the thrash fans, the “Black Album” they wanted.
The bad thing about Death Magnetic. You have the loudness war thing about the album. To an point you have people saying the Guitar Hero version sounds better then the album version.
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It seems popular to think that Load, Reload, and St. Anger are the worst Metallica albums. If that's the truth, they fell off after the Black Album. In this case, Death Magnetic is a comeback album, not the creative zenith before their worst albums because it happened after their worst albums. With that said, my vote would be And Justice For All... if we're speaking about their creative zenith. It's the most progressive musically. The Black Album is more representative of their sound at the zenith of their popularity.
Yep agreed. I think it's fair to call the black album a successful and good album for what they were trying to do, which was walk back the progressive metal thing and go for punchy simpler music. Enter Sandman and Nothing Else Matters are basically pop classics now, which in the case of Sandman is really something as it's undoubtedly a metal or heavy track.
Otherwise yea, Justice is awesome, and my personal favourite, however much Master might be objectively better or more consistent. Something people forget about Justice, but which always resonated when I first gave it a listen, is the progressive themes.
First four tracks: Blackened, And Justice For All, Eye of the Beholder, One, which are thematically Environmentalism, Corruption, "Manufactured Consent" (free thinking), War.
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Stone Roses - Stone Roses.
Their debut album put them on a very high pedestal that they were never able to match.
Double Nickels on the Dime, Minutemen. Also probably the best power trio record ever made. Granted, they only made one more record before D Boon died, but as legendary as he is, Mike Watt has still never done anything as good since.
Btw, in relation to many bands that appeared on this new century, it is a bit controversial to say they are falling off after their first album.
Since 2000, countless bands have released a great first album and then ""disappeared"" or the hype just stopped. Alt-J are a good example.
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