this post was submitted on 21 Oct 2024
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The post Xitter web has spawned soo many “esoteric” right wing freaks, but there’s no appropriate sneer-space for them. I’m talking redscare-ish, reality challenged “culture critics” who write about everything but understand nothing. I’m talking about reply-guys who make the same 6 tweets about the same 3 subjects. They’re inescapable at this point, yet I don’t see them mocked (as much as they should be)

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[–] gerikson@awful.systems 19 points 1 month ago* (last edited 1 month ago) (5 children)

The Bookseller: Penguin Random House underscores copyright protection in AI rebuff

Penguin Random House (PRH) has amended its copyright wording across all imprints globally, confirming it will appear “in imprint pages across our markets”. The new wording states: “No part of this book may be used or reproduced in any manner for the purpose of training artificial intelligence technologies or systems”, and will be included in all new titles and any backlist titles that are reprinted.

Now that the content mafia has realized GenAI isn't gonna let them get rid of all the expensive and troublesome human talent. it's time to give Big AI a wedgie.

[–] bitofhope@awful.systems 14 points 1 month ago (1 children)

It's weird how rarely I see people point this, but in theory this kind of boilerplate should be technically meaningless. If copyright protections include the privilege to use the work for training a machine learning algorithm, you need explicit permission anyway. OTOH if it's fair use or otherwise not something copyright law is concerned with, the copyright holder's objection doesn't matter.

For the record, I think AI models are derivative works and thus they're not only infringing on typical "all rights reserved" works, but also things such as Free software whose license terms require attribution if used in derivative work, and especially share-alike copyleft licensed work.

[–] gerikson@awful.systems 12 points 1 month ago

I thinkt it's pretty well-lknown that Spotify got all its initial music from Oink. They moved fast, got dominant, and were able to present the record labels with a big audience prepared to pay for streaming music. The labels quickly ensured they'd get the lion's share of that revenue.

OpenAI and friends tried the same thing - scrape everything, build AGI, reap the rewards. Except it didn't work, and they're in a much worse position morally. Even if they can get a judgement that what they're doing is legal, it will cost them a lot in litigation fees, coupled with the public perception that these culture vampires are ripping off the poor honest author. Not a good place to be in.

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