this post was submitted on 14 Jan 2025
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Warning, this story is really horrific and will be heartbreaking for any fans of his, but Neil Gaiman is a sadistic [not in the BDSM sense] sexual predator with a predilection for very young women.

Paywall bypass: https://archive.is/dfXCj

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[–] ByteOnBikes@slrpnk.net 5 points 4 hours ago* (last edited 4 hours ago) (1 children)

I never read this and I really appreciate the share.

Some parts that spoke to me:

This, I think, is what happens to so many of us when we consider the work of the monster geniuses—we tell ourselves we’re having ethical thoughts when really what we’re having is moral feelings.

Yeah. Guilty.

“The heart wants what it wants.” (Steve Allen when discussing Soon-Yi)

It was one of those phrases that never leaves your head once you’ve heard it: we all immediately memorized it whether we wanted to our not. Its monstrous disregard for anything but the self. Its proud irrationality. Woody goes on: “There’s no logic to those things. You meet someone and you fall in love and that’s that.”

I moved on her like a bitch.

I found this fascinating. While I was confused by Allen's statement and why women found it so disgusting, the Trump parallel made it click.

A great work of art brings us a feeling. And yet when I say Manhattan makes me feel urpy, a man says, No, not that feeling. You’re having the wrong feeling. He speaks with authority: Manhattan is a work of genius. But who gets to say?

Going back to Gaiman, his work is held to a very high standard. But to say you dislike it, you will be met with confusion or even anger. And this is where this piece really spoke to me.

She mentioned a short story she’d just written and published. “Oh, you mean the most recent occasion for your abandoning me and the kids?” asked the very smart, very charming husband. The wife had been a monster, monster enough to finish the work. The husband had not.

A tangent in the essay about women writers. I found it fascinating that when a fuckface like Elon Musk abandoning his more than dozen kids can still rise the ranks. but God forbid a woman does the same.


There really is no answer to this that the author provides.

The tangent I shared is her last thought: does great art only come from monsters? I think a lot about other creative works, painters, comedians film makers... Who does some wild shit but not nearly to the level of Gaiman's accusations.

Also, like all summaries, read it yourself and find your own takeaways. It's the nuance, not the summary, that has value.

[–] Klear@lemmy.world 1 points 4 hours ago

The tangent I shared is her last thought: does great art only come from monsters? I think a lot about other creative works, painters, comedians film makers… Who does some wild shit but not nearly to the level of Gaiman’s accusations.

Nah. It's well known that power corrupts and being a great artist is a form of power, so that skews things perhaps, but I really don't think there's a direct correlation.