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submitted 6 days ago by oat@lemmy.zip to c/books@lemmy.world

I’ve finished the first three books in The Chronicles of Thomas Covenant and decided to stop. My interest in the series was piqued when I read some reviews which criticized them for an unlikable main character or a distasteful central plot device and wanted to read them for myself to see why they are so polarizing. Ultimately, though, I disagree that either of those is the major problem with the series. The issue is much more fundamental; the books open by posing interesting philosophical questions (“Can you harm something that doesn’t exist?”, “Does uncertainty/disbelief negate culpability?”) but fail as a narrative experience beyond that.

Other than Thomas Covenant himself (who is vastly more developed than any other character) the characters are shallow and not particularly believable. They’re introduced and the reader is lead to believe they’re central characters before they’re unceremoniously killed off with no build up (and little description).

This tendency extends beyond individual characters. Epic battles and events are matter-of-factly relayed with scant description over the course of a few paragraphs with no chance for the reader to get emotionally invested (contrast the battles in The Chronicles with The Battle of Helm’s Deep or the Chain of Dogs). In other books I’ve felt like I was in the battle but Donaldson was never able to bring me off the sidelines. An entire side quest is introduced and then treated as an after thought (see Gilden-Fire).

The setting (imaginatively called “The Land”) itself suffers from these problems. The Land is supposedly an ancient world with a complex history of many different peoples and regions but feels woefully unexplored and unexplained. Peoples in the book (Giants, Ramen, Haruchai) are boiled down to one dimensional stereotypes (“the loyal companion”, “the unbeatable warrior” etc) with little effort made to develop their individual cultures.

My impression is that Donaldson approaches his work first as a means to explore a philosophy and second as a story. This strikes me as contrasting strongly with other epic fantasy authors like Tolkien, Martin or Stevenson who succeed in embedding morality and ethics in compelling stories that are rewarding to read. Thoughts? Any of you find The Chronicles more worthwhile than I have? Perhaps some of the world building and narrative improves over the following seven novels but why would I continue when the first three were so poor?

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[-] southsamurai@sh.itjust.works 4 points 6 days ago

Well, I totally get where you're coming from. And I 100% support the validity of your take and critque.

Myself, I like the fact that it's really single character focused. It allows for a more, I dunno, immersive flawed narrator kind of experience. It's all through the lens of the MC, and while I recognize that it has drawbacks that you very clearly listed, it works for me.

I think part of why it works for me is the "wizard of oz" effect. Is the land real, or is it an expression of the mind of the MC? That slightly sketched vibe to the characters enhances that feel, and I think reflects that Thomas himself isn't sure. He's got this disconnect from everyone around him, and it makes the style of it seem more like an expression of his perception rather than our perception.

Gotta reread the series soon lol

[-] oat@lemmy.zip 1 points 6 days ago

I do like the uncertainty aspect. Is the land real or not, is Covenant justified in his unbelief and what does that mean for his actions? All interesting questions. I just wish the narrative vehicle was less clunky.

this post was submitted on 11 Sep 2026
49 points (96.2% liked)

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