Sergio

joined 4 months ago
[–] Sergio@slrpnk.net 7 points 3 days ago

I'm reading this while waiting to pick up food and I think I have a really weird expression on my face now ...

[–] Sergio@slrpnk.net 1 points 3 days ago

Very interesting, thanks for the info.

[–] Sergio@slrpnk.net 1 points 3 days ago (2 children)

Yeah lel I was going to post that too. Surprised it didn't get into "Active User Growth" as well, they went from 0 to 4k overnight.

[–] Sergio@slrpnk.net 4 points 3 days ago

What does that illustration add to the article? Even if it was human-drawn, that illustration would tell me that it's just an "outrage" style article and that any information I read there is suspect.

[–] Sergio@slrpnk.net 14 points 3 days ago (1 children)

omg this isn't surrealism.... it's PROPHECY!!?!

[–] Sergio@slrpnk.net 1 points 3 days ago

Pretty good movie. Almost not a B-Movie. btw just now someone put a copy on Internet Archive, though I haven't checked it out: https://archive.org/details/piranha-1978-1080p

[–] Sergio@slrpnk.net 3 points 4 days ago (1 children)

Hmmm... I'm thinking Jack Black as a Russian officer and Simu Liu as Chinese officer... I dunno about the furries and catgirls...

[–] Sergio@slrpnk.net 24 points 4 days ago

They're also on bluesky fwiw: https://bsky.app/profile/darkhorse.com

but agreed, they should quit posting on twitter and move to mastodon.

[–] Sergio@slrpnk.net 10 points 4 days ago (2 children)
[–] Sergio@slrpnk.net 2 points 4 days ago

I would hate to be in a car crash in this... but it would be kinda fun to cruise town in it one summer...

 

Tommy Johnson (Danny Dyer) is a member of a violent Chelsea hooligan firm. His friends and fellow hooligans include Tommy's best friend Rod King (Neil Maskell), the hot-tempered Billy Bright (Frank Harper), and impulsive younger members Zeberdee (Roland Manookian) and Raf (Calum MacNab). Tommy spends his days drinking, using drugs, womanising and fighting, much to the disappointment of his grandfather Bill Farrell (Dudley Sutton), a pensioner and veteran who plans to move to Australia with his best friend Albert (John Junkin).

https://en.wikipedia.org/wiki/The_Football_Factory_(film)

There's nothing different about me. I'm just another bored male, approaching 30, in a dead-end job, who lives for the weekend. Casual sex, watered-down lager, heavily cut drugs. And occasionally kicking fuck out of someone.

What else are you gonna do on a Saturday? Are you gonna sit in some poxy office with a cunt for a boss telling you what to do as you count your pennies trying to make ends meet in a country that's sinking into strikes and wars and at the end of the day you go home to your cosy little flat in 'nowheresville' and pull your IKEA curtains shut to hide from the big bad world and pretend it's not happening? Sit in your fuckin' armchair wankin' off to Pop Idols? Then try and avoid your wife's gaze as you struggle to come to terms with your sexless marriage? Then go and spunk your wages on kebabs, fruit machines and brasses? Or are you gonna stand up and be counted, make a difference and feel the rush?

Just for once say "fuck it". I'm coiled up like a spring and I'm ready to burst and wanking ain't doing it anymore. I need violence to make me feel I'm still alive. Fuck all that for a laugh! I know what I'd rather do. Tottenham away, love it!

 

Variously translated as "The Angel of Hearth and Home" or "The Fireside Angel", subtitled: "The Triumph of Surrealism."

Ernst painted The Triumph of Surrealism shortly after the defeat of the Spanish Republicans in the Spanish Civil War. In this conflict, Spanish fascist leaders were supported by Germany and Italy in their victory. Ernst's goal was to depict the chaos that he saw spreading over Europe and the ruin that fascism brings to countries.

...

retitled by Ernst in 1938 as The Triumph of Surrealism, "a despairing reference to the fact that the surrealists with their Communist ideas had been unable to do anything to resist fascism."

https://www.max-ernst.com/the-triumph-of-surrealism.jsp

 

A famous martial artist, Steve Hunt, travels to the desert for what he thinks is an Olympic-style competition. The competition turns out to be a trap set by Baron von Rudloff, an ex-Nazi general who is still bitter over the humiliating defeat of his martial arts team

https://en.wikipedia.org/wiki/Kill_or_Be_Killed_(1976_film)

It has a sequel, you know....

 

out of context

 

See higher-res versions on Wikipedia.

No. 4.– The picture represents the Vicious State, or State of Destruction. Ages may have passed since the scene of glory – though the decline of nations is generally more rapid than their rise. Luxury has weakened and debased. A savage enemy has entered the city. A fierce tempest is raging. Walls and colonnades have been thrown down. Temples and palaces are burning. An arch of the bridge, over which the triumphal procession was passing in the former scene, has been battered down, and the broken pillars, and ruins of war engines, and the temporary bridge that has been thrown over, indicate that this has been the scene of fierce contention. Now there is a mingled multitude battling on the narrow bridge, whose insecurity makes the conflict doubly fearful. Horses and men are precipitated into the foaming waters beneath; war galleys are contending: one vessel is in flames, and another is sinking beneath the prow of a superior foe. In the more distant part of the harbor, the contending vessels are dashed by the furious waves, and some are burning. Along the battlements, among the ruined Caryatides, the contention is fierce; and the combatants fight amid the smoke and flame of prostrate edifices. In the fore-ground are several dead and dying; some bodies have fallen in the basin of a fountain, tinging the waters with their blood. A female is seen sitting in mute despair over the dead body of her son, and a young woman is escaping from the ruffian grasp of a soldier, by leaping over the battlement; another soldier drags a woman by the hair down the steps that form part of the pedestal of a mutilated colossal statue, whose shattered head lies on the pavement below. A barbarous and destroying enemy conquers and sacks the city. Description of this picture is perhaps needless; carnage and destruction are its elements.

https://en.wikipedia.org/wiki/The_Course_of_Empire_(paintings)

 

The Whole Wide World is a 1996 American independent biographical film produced and directed by Dan Ireland in his directorial debut. It depicts the relationship between pulp fiction writer Robert E. Howard (Vincent D'Onofrio) and schoolteacher Novalyne Price Ellis (Renée Zellweger).

https://en.wikipedia.org/wiki/The_Whole_Wide_World

https://www.youtube.com/watch?v=MtIQr7pLDEM

 

Not a GREAT movie, but I think it's fun, and the idea is solid.

"the truth is, there's more than enough. no-one has to die before their time."

cross-posted from !fullmoviesonyoutube@lemm.ee

In Time is a 2011 American science fiction action film written, produced, and directed by Andrew Niccol.

Justin Timberlake and Amanda Seyfried star as inhabitants of a society that uses time from one's lifespan as its primary currency, with each individual possessing a clock on their arm that counts down how long they have to live. Cillian Murphy, Vincent Kartheiser, Olivia Wilde, Matt Bomer, Johnny Galecki, and Alex Pettyfer also star.

https://en.wikipedia.org/wiki/In_Time

the poster

 

This is a totally 80s movie. It's got cocaine, beaches, cops dressed in suits with their hair slicked back, and sex in the hot tub with a sax solo playing. I thought it was all too cheesy, but the youtube comments are full of people talking like it's the best movie ever. Anyway, it's got three of the biggest stars of the period, as well as a very entertaining Raul Julia in a supporting role, so if you're in the mood for something 80s, go for it.

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submitted 3 months ago* (last edited 3 months ago) by Sergio@slrpnk.net to c/fullmoviesonyoutube@lemm.ee
 

Memory is a 2022 American action thriller film starring Liam Neeson as a hitman with early dementia who must go on the run after declining a contract on a young girl. ... Memory was theatrically released in the United States on April 29, 2022 by Open Road Films, and received mostly negative reviews from critics.

https://en.wikipedia.org/wiki/Memory_(2022_film)

Yeah it's not that great of a movie, but if you're a Liam Neeson fan you might want to watch it.

It was only uploaded yesterday, so it might be taken down pretty soon! EDIT: Looks like it was removed already...

 

About half of these are cyberpunk, most of the rest are kinda steampunk I guess. The music is sorta weak so just listen to some synthwave instead lel.

When, at an important moment in the story of an anime, the quality of the animation improves drastically to make more impact or to be more dramatic or memorable, you can say that this moment is sakuga or has sakuga.

https://www.urbandictionary.com/define.php?term=sakuga

 

There've been a couple major sequels and re-makes that have bombed recently, namely Joker and The Crow, and so this leads to the question: how do you successfully follow up a movie that seems like it could have no sequel?

Here's the answer. The original 1992 Bad Lieutenant would seem like it could have no follow-up, but I argue this film succeeds for a couple reasons.

  1. Good actors. I'm not a huge Nicholas Cage fan, but he does the job here, with his typical somewhat-unhinged burnout persona. Solid backups by people like Eva Mendes, Val Kilmer, and even a memorable scene with Fairuza Balk.

  2. Great director: Werner Herzog. Wikipedia sez:

French filmmaker François Truffaut once called Herzog "the most important film director alive".

  1. Low expectations. "Port of Call New Orleans" had relatively modest production budget of 25 mil so the fact that it only made 10 mil domestically was bad, but not a disaster. (I mean it only ran in 24-96 venues total so they weren't expecting much!)

  2. A story that could stand alone. Apparently Herzog didn't even want to use the "Bad Lieutenant" prefix, and Abel Ferrara was mad about it, and there are no returning characters, so... Thematically there's a parallel though, and I think the movie's richer for that being made explicit in the title.

Anyway, it's not an amazing movie or anything, it gets a bit campy at times, but I'm pretty sure Herzog's doing that on purpose and it's worth watching at least once.

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