The spin off will take place in the 1980s after Lee Shaw returns from the Axis world the first time.
It’s being promoted as having a different tone, mixing Kaiju and Cold War spy thriller stuff. The cast seems packed for action.
✔️ have to agree but the title is a verbatim autofill from the article so I chose not to modify.
Most of the major review sites have filed at least a ‘first look’ review of Godzilla Minus Zero following the world premiere at the New York Film Festival last weekend.
It’s mostly enthusiastic, with the exception of the odd one that criticizes any focus on ‘boring human characters’ vs Kaiju bashing one another. There’s even early musing that the film is in the hunt for a Best Picture Oscar nomination.
Here’s a round up of the reviews:
The Guardian (previously posted)
cross-posted from: https://startrek.website/post/44201153
As the US financial markets, politicians and entertainment media obsess about mergers and moving production of US scripted shows back to the United States, this seems like an enormous reality check. The United States provides less and less of the scripted entertainment globally.
It squashes the long held beliefs that the world watches/prefers American popular entertainment exports over those made at home or in other countries and regions.
There’s a new global leader in greenlights.
Over the first half of 2026, Asia surpassed both North America and Europe to become the world’s leader in streaming scripted orders, the researchers at Ampere Analysis have found. From January through June, 36 percent of “first-run scripted TV orders from the leading global streamers” (Prime Video, Apple TV+, Disney+, HBO Max, Netflix and Paramount+) originated in the APAC (Asia-Pacific, which encompasses countries in East Asia, South Asia, Southeast Asia, and Oceania) region.
What’s unfortunate for members of this instance is that, in this process, it’s science fiction and fantasy that are being crowded out on the major streamers. (Perhaps that’s because English speaking science fiction and fantasy viewers are less willing to give scripted shows in and films in other languages a try…? )
Here’s a chart of the trends :
As a Canadian, who sees many of our Canadian productions obscure that they are set in Canada or even outright pretend to be in the USA even when based on Canadian source material, I hope that this means that we can tell our own stories without having to obscure our identity for distribution to international audiences.
It’s a silver lining to see Shatner using his platform for the greater good.
”…the show failed to find its significant audience.”
Put a show on a streamer that is targeting a completely different audience, and let the entitled vocal fans run wild with unchecked brigading, and then be surprised by low “crowdsourced” ratings.
Sigh.
This is depressing, if accurate, in that it may also be a signal that the new owner is looking for a new production company to manage the franchise just when things had finally and consistently stabilized with Secret Hideout.
I’m not hopeful for an SNW continuation in a Year One show, or Tawny’s project either.
Both Trump and Musk have degrees from the supposedly reputable Wharton School of Business at the University of Pennsylvania.
If these two are evidence of their quality of graduates, it really raises questions about whether it was another US institution where ‘legacy’ and money buy admissions and it’s impossible not to graduate.
I thought she’d directed episodes of Voyager too.
Memory Alpha credits her with Voyager episodes ‘Riddles’ and ‘Workforce Part II’.
There are exceptions. Someone who was up until recently a teacher may fall into the category of being in a position of trust or authority towards the minor. Without knowing the legal precedents, it’s hard to know how much of an edge case this is.
From the JusticeThe following factors may be taken into account when determining whether a relationship is exploitative of the young person:
From the* Justice Canada webpage on Age of Consent*
Sexual exploitation A 16 or 17 year old cannot consent to sexual activity if:
- their sexual partner is in position of trust or authority towards them, for example their teacher or coach
- the young person is dependent on their sexual partner, for example for care or support the relationship between the young person and their sexual partner is exploitative
The following factors may be taken into account when determining whether a relationship is exploitative of the young person:
- the young person's age
- the age difference between the young person and their partner
- how the relationship developed (for example, quickly, secretly, or over the internet)
- whether the partner may have controlled or influenced the young person
There’s still very low understanding of how devastating and threatening the convoy protests were for the residents and businesses in the core of Ottawa.
Residents, businesses and people who work downtown in Ottawa roll with protests day-in and out. Large ones usually are usually respectful of the legal limits, and local people know how to plan their days to avoid them if they need to.
This protest damaged hearing with unremitting high decibel air horns, polluted the air with weeks of nonstop truck emissions, actively harassed, intimidated and threatened local residents trying to get to work and essential services, filled the streets with garbage and feces.
They also created significant fire hazards and risked major explosions, including by creating a large stash of gasoline in tanks in Confederation Park - directly across the street from city hall, an armoury, and close to a high school as well as right across the narrow Rideau canal from National Defence headquarters.
But it was the utter lack of consideration for the most vulnerable that truly showed the incredible selfishness and lack of compassion of the protesters.
There are many lower income, disabled and senior residents in coop apartments downtown. Many rely on visiting services from care workers who could not get through the protests on most days. A small proportion had family and friends who were able to host them outside the area of the protests, most were trapped, isolated and terrorized.
While in no way intending to minimize the economic hardship inflation has had on Canadian’s lives, to be clear, this is ‘standard of living’ defined as real GDP per capita.
That is it measures the arithmetic mean or average of what the economy produces adjusted for general inflation. It says nothing about how income or wealth is distributed or other key factors that determine wellbeing at an individual, household or societal level.
This is not generally viewed as the best measure of quality of life or societal wellbeing. Critics from across the political spectrum globally have been critical of the focus on GDP per capita for decades. It says something that TD as a bank is still focused on it.
The OECD Finance Ministers adopted a Wellbeing Framework to measure and compare across countries. Canada has its own version that StatsCan is reporting on.
There just doesn’t seem to be a limit to the amount of hype I’m willing to soak up in anticipation of this crossover.
Nothing close to too much as yet.
Well, I have to give the OP credit for outrageous audacity.
Coming to the main community on the dedicated Star Trek instance to argue that users should subscribe elsewhere is inherently a criticism. It says a lot about the tolerance of the mods and admins here that it’s been left to stand.
I myself appreciate a well moderated community because I believe it enables more discussion not less.
Fair enough point that if the target audience for the 20 somethings isn’t resonating with the show, it’s a problem.
But my question is whether that’s just a US social media thing or a real global take for the youth target audience.
Is Apple putting too much priority on chasing / selling shows to the declining US male youth audience that’s watching less and less television anyway?
Even in the US, the show brought in a larger and more diverse audience share to the franchise, not just preteen and adolescent boys looking for monsters bashing one another. Is it a bad thing when a show can draw young women?
The show did very well outside the US other than in the CANZUK countries and Ireland (which just seem not to have a large kaiju fandom base). Why fix what’s not broken when the show pulled some of Apple’s highest audience numbers overall?
As someone who watches a lot of Asian productions in the original languages with subtitles, mainly because American productions have less and less that interests me, I’m seeing this as a sign that decision makers in Hollywood are still stuck in the idea that if they make stuff for the US market, everyone will want to see it. Meanwhile, Asian produced content now dominates globally.