In our removal announcement, we stated that we will continue to look into this more in detail, and re-allow these communities if and when we deem it safe. It was a solid concern at the time, because we were already receiving takedown requests as well as constant attacks, and didn't want to put our volunteer team at risk. We had zero measures in place, and the tools we had were insufficient to deal with anything at scale.

Well, after back and forth with some very cool people, and starting to have proper measures as well as tooling to protect ourselves, we decided it's time to welcome these communities back again. Long live the IT nerds!

We know it's been a rough ride with everything, and we'd like to thank every one of you who were understanding of us, and stayed with us all the way. Please know that as users, you are what makes this platform what it is, and damned we be if we ever forget it.

With love, and as always, stay safe in the high seas!

Lemmy.world Team

❤️

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[–] ciaocibai 13 points 1 year ago (1 children)

The music streaming platforms (admittedly with their own challenges) have to compete based on service offering rather than exclusivity. Imagine if all the streaming platforms competed on quality of service instead of exclusivity.

I’d personally pay a lot more if I could just have one service that had all the content I want, but instead we’re in this situation where the platforms (in my opinion) are lacking innovation and the content is all over the show. Here in NZ I find different seasons on different platforms or plenty of shows that just aren’t licensed for our market. We all know how that problems going to be solved.

[–] beefcat@lemmy.world 6 points 1 year ago* (last edited 1 year ago) (1 children)

the music streaming platforms basically screw over the artists to make that feasible, with the excuse usually being that artists can make their real money touring and selling merch.

the cost of producing music is also infintesimal compared to that of producing film and television. the whole music industry itself is pretty small in comparison, yet Spotify costs about as much as a streaming TV service.

to scale that model up to film and TV would mean either a much higher base price, or a lot less overall content being made. these are viable paths, but both come with big trade offs.

[–] CAVOK@lemmy.world 6 points 1 year ago (1 children)

Not saying that you shouldn't pay people, but the CEO of netflix makes over $50M a year. Actors make how much? I'm sure there are a lot of ways to cut costs and make a more equal society to boot.

[–] beefcat@lemmy.world 3 points 1 year ago* (last edited 1 year ago) (1 children)

obnoxious executive pay is its own problem, but even zeroing all that out wouldn’t do much for the financials. if you brought that $50m down to $0 and passed that savings on to consumers, each netflix subscriber would save pennies on their monthly bill

[–] CAVOK@lemmy.world 2 points 1 year ago

I'm not saying just the CEO, but the whole structure. Look at the kids from Stranger Things for example. Any of them over 20 yet? If they never work another day in their life they still enjoy a life unattainable to almost everyone. Good for them I suppose, but it's that really how a society should be? And there are a lot of people behind the scenes that we don't see that makes an enormous amount of cash while most don't. There should be a more equal distribution.