I can't stand this bloody series. 'It's art for the sake of art'. 'This is really Lynch's gift to all subsequent media'. 'There is so much we owe to this series.'

What the hell. It's just random pieces of script written by monkeys on a typewriter, slapped together. No part of the story is ever finished. 'Ah but that's where the depth resides!'. Rubbish. Anybody can write a story that doesn't properly finish.

Oh I know I will introduce 20 new characters, this will add so much depth. Yeah, they have no motives, no character development BUT I will add this random surreal thing that happens to them, for additional depth. But what happens to X? Who knows! And to Y? You have to guess! And to Z? No one can tell!

Maybe using steel-faced actors will improve the plot? I know I will cast myself in one role with quirky details because it's so fun. Yeah I don't know how to act, why? Is it necessary?

And the goddamn music is unsufferable. 'You can't separate Lynch's work from Badalamenti's music'. Yeah I know they're both shit. Oh and the effing gigs in the sequel of the series. Aaaaaah!

But at least there is some symbolism! Yes, what is it? Who fucking knows!

Das diagramm ist kommutativ!

Question ouverte, en espérant que c'est le bon endroit : est-ce que quelqu'un saurait me diriger vers une source pour fabriquer une banderole de 4 ou 5 mètres de long sur 1 mètre de haut, y compris comment l'accrocher. Pas beaucoup de moyens matériels, mais surtout j'ai jamais fait ça donc j'aimerais bien éviter de me planter complètement.

Je dois avoir des draps blancs, du carton, de la corde, je sais pas trop ce qu'il faudrait d'autre.

C'est pour un message amical à ma députée qui vote des super lois pas du tout gerbantes.

Si par ailleurs vous avez des slogans rigolos sur le thème du Canada dry et du fascisme (enfin vous voyez l'image j'espère) je suis aussi preneur.

I'm trying to find the author and the title of a painting that I vaguely remember.

The painting shows a man painting a woman. It looks like an ordinary self portrait but if you look closer you will see that the painted woman has an arm going out of the picture and is directing the arm of the painter.

I think the painted woman was the master of the male painter?

I think it's from Italy, 17th century (very vague reminiscence here)?

I keep thinking about Artemisia Gentileschi but can't find any link to something similar

Any help would be appreciated, it's driving me crazy

99% of philosophers can't solve this